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3 photos by Alison Jones
(The top I was wearing has the “worldwide web ” printed on it – a map of the world made of spider webs, with a spider hanging off. & those things around my hat are little white plastic spiders.)
2nd pic is the Tuesday poets who were present: Mary McCallum, Tim Jones & Helen Rickerby at the back, me and Keith Westwater at the front
and some photos by Matchbox:
Here are some of Peter’s photos from the Alice Spider launch on 6 September. More launch photos to come!
and here’s one Mary Macpherson took.
Well, the Alice Spider book from Anomalous Press is fast becoming a reality. You may have met Alice before, but this will be the most Alice there’s ever been in one place. This is how she will look:
The stunning artwork on the cover is by Kristen Necessary.
There is one last hurdle. The lovely people at Anomalous Press are making six chapbooks altogether (small collections of poetry, of up to 40 pages) as a labour of love and have launched a Kickstarter campaign to get the funds together for printing. They need $US5,000. If you would like to support them – and receive books, postcards and other goodies in return (this is a pre-order type deal rather than a charity drive) – here’s where you can pledge the amount you would like to pledge and a description of what you will receive. Yes, I’ve already put my money where my mouth is, and huge thanks to everyone else who is supporting the campaign.
The Kickstarter link shows all the chapbooks being published and they look great!
I have news. It concerns poetry and spiders.
When I was about eighteen, I started writing about the adventures of a character called Alice Spider. And I kept on writing about her, on and off. A couple of decades after I started, I realised all the little Alice fragments were part of a prose poem sequence. Sections of Alice have since been published in Turbine, AUP New Poets 3, JAAM and US-based Anomalous Press. And now Alice is getting her very own chapbook, courtesy of the wonderful folk at Anomalous. And it’s not just any old chapbook – it’s 3 types of chapbook: a limited edition of 26 handmade, letterpress-printed chapbooks with images by Jill Kambs (I’ve seen the proofs and the book looks beautiful), as well as a regular, offset-printed chapbook and an e-book. Very exciting!
This would not have happened without Mary MacCallum’s Tuesday Poem site – the Christmas before last, the Tuesday poets all had a “secret Santa” poem-swapping session, where we paired up with other Tuesday poets and posted each other’s poems. I was paired with US poet Melissa Green, who writes stunningly beautiful poetry. Melissa graciously hosted Alice on her blog, where she was spotted by Anomalous Press and invited to appear in their new journal, and now Alice is moving on to her next adventure. Many thanks to Cat Parnell and Erica Mena of Anomalous Press for this opportunity and to Jill Kambs for making beautiful books. I”ll post a photo when the books arrive.
Also, Anomalous Press has just announced its first chapbook competition. Entry fees are $US15 and all submissions will be considered for publication in the Anomalous Press journal. There is a separate category for translations.
A quick update on Alice:
Alice Spider is a character who’s been haunting my poetry since I was about eighteen. She’s appeared in prose poem sequences in Turbine and AUP New Poets 3 (Auckland University Press) and danced her way through JAAM 28. Now Alice has infiltrated the latest issue of Anomalous Press, alongside many entertaining international writers. Anomalous Press offers audio alongside its text. Downloadable versions are coming soon, but in the meantime, it’s all online.
Finally the day comes when a poem matures, announces it’s leaving home and sets off into the world to seek its fortune. Once I’ve waved goodbye, it’s hard to control what happens to them, but I like to check in now and then to see how they’re doing.
I was pleased to find one of my poems (“Three Hummingbirds”) on a photography and poetry website recently. Great! I thought. Until I realised someone had seen fit to change the title, remove the stanza numbers and delete the middle stanza altogether! Oh and my name was spelt incorrectly (but I’m used to that). I don’t believe it’s OK to change someone’s work in this way (and I expect it’s a breach of copyright). I chose that title for a reason, the stanza numbers are an integral part of the poem and the middle stanza provides a clear link between the other two. I’m following this up with the person whose site it is and hopefully can get it remedied. (If it gets fixed, I’ll put up a link.)
If you want to read the poem in its true and proper form, you can see it here on the Poetry NZ website: http://www.poetrynz.net/archives/issue-27/
The other thing I found on the net recently was the first review I’ve seen of AUP New Poets 3. It’s from Trevor Reeves in Southern Ocean Review and if you’re interested, you can read it here: http://www.arts.org.nz/rev49.htm I must say I’m impressed with Southern Ocean Review’ broad coverage of poetry published in New Zealand with short reviews of pretty much every poetry book there is, as far as I can see.
I was a little surprised to be described as a “fresh new voice from the Auckland region” given that I’ve spent the last 25 years in Wellington and most of my poems in the collection are set in Wellington – but I expect that was because Auckland University Press is the publisher. And I did live in Auckland for five years in my late teens, so I’m quite happy to be considered a JAFA. Trevor goes on to say my work “deals mainly with spiders” which is an interesting interpretation. To me, the Alice Spider character I write about has always been human, but I know some people see her as an actual spider.
Anyway, there we have it. Poems which now have a life of their own. All I can do is hover in the background. Like a spider.
OK, I have been out looking for spiders. I have promised free spiders at the poetry book launch and I shall deliver. Over the past couple of weeks, I have been to every $2 shop and craft shop in Wellington and today I have come home with several bags of plastic spiders, in varying lurid colours. I thought it would be easier. I thought there would sheet upon sheet of spider stickers and fake spider tattoos, that the craft shops would be full of little wooden spiders and fluffy spiders and spider stamps. Alas, I was mistaken. Some of the things I found didn’t even have the right number of legs (8 – they’re arachnids; if they have 6 legs they are either insects or differently abled). And what is the deal with butterflies? Butterflies galore; butterflies as far as the eye can see;butterly upon butterly upon sparkly, glittery butterfly, but a sad and inexplicable lack of spiders.
I like spiders. I had a flatmate once (who shall remain nameless) who, despite spending his university holidays working at the freezing works, would call me if he came across a spider in the bath. Personally, I was brought up to believe that spiders were worthy, fly-eating creatures and that, while it was permissable to vacuum up their uninhabited webs, the spiders themselves should be left to rebuild in the ceiling corners.
If you want to read one of my spider poems, you can click here:
If you want a spider of your own, do come along to the Wellington version of the AUP New Poets 3 launch. I’m hoping it will be at Mighty Mighty on Wednesday 13th August 2008, at 5:30pm, but right now I can’t get hold of Rich the Gig Booker to confirm. Katherine Liddy is also planning a launch in Vancouver – so it’s a truly global publication.