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Well, I’m very happy to say that The Year of Falling is being made into an e-book, thanks to Rosa Mira Books, fine e-publishers of such titles as Slightly Peculiar Love Stories, which includes my short story, ‘Mill’.
To celebrate this, I shall be partaking in a quiet glass of bubbly at the Library Bar on Courtenay Place next Monday and it would be lovely if you could join me (clink clink!)
Monday 21st September 6pm – 8pm
Upstairs, 53 Courtenay Place, Wellington
Also, I was delighted to have two very nice reviews of TYOF last weekend. Siobhan Harvey, writing in the Dominion Post, said:
“Richly peopled and companioned by an absorbing plot, Janis Freegard’s The Year of Falling is a superb first foray into novel writing.” (full review on Stuff here)
and David Hill, in the NZ Herald said:
“Freegard controls a substantial cast adroitly, and makes you care about each one of them, even loathsome Randall and bubble-brained Bailey.” (full review on NZ Herald site here).
Feeling all fluffed up after that.
A number of people have kindly enquired as to the wellbeing of ‘The Year of Falling’ and ‘The Glass Rooster’, so I thought it might be time for an update. I do feel as though I have released hand-reared orphaned wild things out into the world to seek their fortunes and I’m very much hoping they don’t fall into a ravine or get eaten by bears.
So how’s The Glass Rooster?
Thank you for asking. He’s been somewhat elusive lately, but is no doubt striding about happily somewhere looking for hens to impress. There was a sighting on Beattie’s Book blog in June, where Elizabeth Morton gave the book a very nice review which starts:
“Grab your knapsack. Pack for all conditions. Janis Freegard wants to be your travel companion, and she has a cross-country junket in mind. ‘The Glass Rooster’ takes you through forests and oceans, deserts and space, all the while chaperoned by the eponymous bird who ‘was nothing if not well-travelled’. An unlikely tour guide, perhaps, but he will strut and call and pose for photographs like the best of them.”
And what about The Year of Falling?
There have also been some lovely reviews. Emma Bryson on Beattie’s Book Blog, said:
“Quirky, funny and inspiringly touching, Freegard has a knack for writing scenes which are painfully human. I watched as Selina’s life start to drift away from her, and screamed in frustration as she ‘reasoned’ her way into further trouble. And I became a silent observer (albeit slightly tearful) as the stoic Smith dealt with the heart-breaking complexities of losing a friend, raising a child, and caring for a sister.”
“This is a story of searching for one’s self, trying to identify and then hold onto the important things, and finding a place to call home whether it be a physical place, or simply in your own head and heart. There is hope, forgiveness, joy and love. It is a wonderful story, I very much enjoyed reading it. I really hope this book gets widely read and promoted, because it certainly deserves to.
And Catherine Roberston said in the NZ Listener: “…the pace and assuredness quickly increase, building layers of tension and pleasingly ambiguous characterisations that hold interest to the end.”
I’ve also had some very nice emails, texts, Tweets and Facebook messages from people saying they’re enjoying the novel or were up all night reading it, or they really like one of the characters, which is exactly what any writer loves to hear when wondering whether anyone will ever read the book you spent years fretting over.
Where can I buy them?
Indie bookstores like Unity Books (Wellington and Auckland), University bookshops, Page and Blackmore (Nelson), Almo’s Books in Carterton and some Paper Pluses (like the one in Coastlands on the Kapiti Coast). They’re also available directly from AUP and Makaro Press and online retailers like fishpond.
I was chuffed to see both books squeaked into the Indie Top 20 list for 20 June 2015, which means I am on a list with Patricia Grace, Kate Atkinson, Anne Enright, Atul Gawande, Helen MacDonald and other great writers.
Many thanks to everyone who’s bought, read or plans to read the books, who’s requested them from their local library, reviewed them, rated them on Goodreads or told me they enjoyed them. Makes it all worthwhile.
Oh look! I still have a blog! A sadly neglected blog. 😦
These past few weeks, when I am not at my day job, I have been running very fast in my little hamster wheel getting two books ready for publication. This is the poetry collection with a great cover by Keely O’Shannessy:
‘The Glass Rooster’ is coming out in May, published by Auckland University Press. It’s arranged in eight sections (or ‘echo-systems’) which are a mix of natural ecosystems (deserts , the alpine zone) and other types of places (like cities and outer space). Each section is introduced by a triolet (a French poetic form with repeated lines) and the other poems are arranged in pairs, each echoing something about the other.
It also features a glass rooster – who appeared in my last AUP collection Kingdom Animalia: the Escapades of Linnaeus. You can read sample poems here.
But wait – there’s more! Much of my hamster activity of late has involved The Year of Falling, a novel, which will also come out in May. It’s being published by Wellington-based Mākaro Press. More on this to come!
Photo By Sy (Own work) [<a href=”http://creativecommons.org/licenses/by-sa/3.0″>CC BY-SA 3.0</a>], <a href=”http://commons.wikimedia.org/wiki/File%3AWhite_face_roborovski_dwarf_hamster.jpg”>via Wikimedia Commons</a>
Mark Stephenson is a Wellington writer whose first novel No Second Chance has just been published by Steele Roberts. No Second Chance is the story of Anna, who arrives in Wellington in 1947 as a survivor of the holocaust. As well as being a story of survival, courage and betrayal, it’s also a story of love and hope. Anna forges a new life in a new place, but the past is always with her.
Mark grew up in the United Kingdom but moved to New Zealand in 1985 to work as a junior doctor in Invercargill. He has lived in Wellington since 1989 where he works as a GP and writes part time. He lives with his partner, a daughter and two dogs. Mark’s short stories have been published in JAAM, Takahe, New Idea, Viola Beadleton’s Compendium of Seriously Silly and Astoundingly Amazing Stories and Washington Square.
Recently I interviewed Mark about his beautifully written new novel, and about writing generally.
Mark, when I first met you, you were writing short stories. What led you to write a longer work?
Yeah, this novel started life as a short story, which was published in Takahe way back yonks ago. For some reason I just kept thinking about the characters and the reasons behind their actions. I gradually filled in the details of their lives and fitted them into a historical context, which wasn’t there in the original story, or not so much of it. Then I started thinking about the next generation, and the next one after that, and the consequences for them as well. So it became a story of how historical events can break apart a life, and a family, and eventually how the characters might come back together again.
What was different about writing a novel, compared to writing short stories?
It took a lot longer…!
But seriously, it’s easier in a way as long as you can stick to the task. You can develop characters and themes and plot along the way whereas in a short story it all has to be done in a few sentences, or words even. A short story is way easier to finish though.
You’ve chosen a very challenging subject. What made you decide to write Anna’s story? Is she based on a real person?
She is not based on a real person but some of the events I’ve written about have certainly happened to people. The situation and conditions in the camps are real but the characters and the way they interact in the novel are imaginary. I’ve been interested in those stories of survival since I was a teenager for some reason and have read some historical accounts. Many survivors keep their stories to themselves till they are much older, and some things probably go with them to the grave. I have often wondered what it would be like to survive, come back to a ‘normal’ life and how your mind would deal with it.
One of the most dramatic events in the book occurs in New Zealand, late in Anna’s life. This is based on an actual happening that occurred not far from here. It set me thinking… why would anybody do that? That’s really where the story came from – I started to fill in the gaps.
Do you have a regular writing routine? How do you juggle writing with your work as a GP?
Well, kind of. I have a regular bit of time off in the week when I write. Sometimes I spend most of it staring at the blank screen.
You held an NZSA mentorship while you were writing No Second Chance. How do you think that helped you?
It helped me a lot, basically by getting a lot of feedback on the text and how I was writing, seeing the recurring faults in my writing. I realised I had still a lot of work to do on the manuscript even though I thought it was already well drafted. I learnt a great deal. My mentor was encouraging while being honest about the bad bits, and there always are bad bits. She also praised the good bits, which I enjoyed more, strangely enough.
What are your writing plans now? Will you stick to novels?
At the moment I’m sticking to novels. I’ve written a draft of another one, possibly a second draft. It’s very different, though also historical, this one is set in sixteenth century Aotearoa before European contact and has a teenage boy as protagonist.
Finally, do you have any advice for first-time novellists?
I tend to think a lot and write little. I advise them to do the opposite.
No Second Chance can be bought from Steele Roberts and Unity Books, or any bookseller will order it for you if you ask.
You can read a sample of the writing at http://www.nosecondchancenovel.com
Where a new year starts and ends is always a little arbitrary. I’m very happy to celebrate anyone’s idea of where that point is – be it Matariki, Chinese New Year, one’s own birthday or whenever. And it does give a great opportunity to reflect on what’s happened over the past twelve months and think about what we want out of the next.
I don’t make New Year’s Resolutions so much as compile a sort of “Statement of Intent” ie a (fairly short and simple) plan for the year with a set of realistic goals. Things like “finish third draft of novel” or “spend more time playing the ukulele*”. The key I think is to give yourself something to aim for – a challenge – without making it too unlikely (“win Booker prize” is only going lead to disappointment…)
Goals are, of course, reviewable over the year as circumstances change. And I like to have longer term plans: three year or five year plans, that can be a bit more aspirational (“learn to play ‘Stairway to Heaven’ on ukulele” perhaps. Or perhaps not.)
I love to make lists (not shopping lists, though – I don’t like to feel constrained at the supermarket, preferring the freedom of putting things that take my fancy into the basket and forgetting whatever it was I went in for in the first place). One of the best things about a list is that sense of achievement and satisfaction you can get from crossing things off when you’ve done them. This is where I find it helpful to break goals down into small, manageable chunks. “Finish third draft of novel” can become “read the whole thing out loud to myself again”, “rewrite second half of chapter twelve”, “consider whether I really need character A” and so forth (“learn chords to ‘Blitzkrieg Bop’…”).
Friday is (generally) my writing day and usually I will make myself a list during the week so that when I get to Friday, I’m not sitting there wondering what to work on. It will have things like “finish goldfish poem” and “find a book about amphibians” on it. If I get to Friday and end up writing something for this blog instead, that’s fine. My list will still be there for Saturday or can be incorporated into next Friday’s or I can abandon it altogether if I think of something better. The point is, it’s good to have a plan. Knowing what you want to achieve is the first step towards achieving it.
This is my favourite time of the year: between summer solstice (winter, if you’re in the northern hemisphere) and my birthday in mid January. It feels like a sort of limbo time, tidying up last year’s leftovers and getting ready for the next great adventure. It feels full of promise and opportunity. And satisfaction that I can tick off a considerable portion of what was on last year’s list. Hey. Ho. Let’s Go!
* Peter bought me a new ukulele for Christmas – my old one has been inoperable for some years now, but I’d just like to point out that I was playing it (badly) many years before it became fashionable…