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I’m delighted to be interviewing poet, novelist and short story writer Tim Jones about his latest collection of poetry, Men Briefly Explained, as part of his virtual book tour.   (And no, that’s not Tim pictured on the cover, but there is a photo of him at the bottom of this post.)  It’s a very enjoyable book, which I’ve already read twice and intend to read again.

Tim’s previous publications include poetry collections Boat People and All Blacks’ Kitchen Gardens, short story collections Transported and Extreme Weather Events, and a novel, Anarya’s Secret.  He is also co-editor of Voyagers: Science Fiction Poetry from New Zealand, which won  “Best Collected Work” in the 2010 Sir Julius Vogel Awards, the same year he was awarded the NZSA Janet Frame Memorial Award for Literature.

First of all, Tim, how did your recent “real-world” book tour go?  Any particular highlights?

The highlight of the whole tour was meeting up with friends – both people I already knew in person and enjoyed catching up with again, and people, especially poets, I knew only from the Internet before this.Of all the launch events, I think the Friday night event at the Rona Gallery in Eastbourne, which is part of Lower Hutt in local body terms but feels to me a lot like the seaside suburbs of Wellington, was my favourite. The staff are friendly and knowledgeable (plus there are two Tuesday Poets within their ranks!), the venue is great: you walk into an excellent bookshop and, at a certain point, it morphs into an excellent gallery – what’s not to like? There was a good crowd who laughed at all my jokes (which is, of course, the true measure of success!), books were bought and nibbles nibbled – it was a really good time.But another highlight (and it is so strange for me, an avowed South Islander, to be selecting only North Island highlights) was to read poetry for the first time in Auckland. I wasn’t at my best by by that stage, as I had picked up a cold, I was tired, and the rain was bucketing down, but I have always been nervous about reading in Auckland, and it felt good to break through that particular barrier. It was good of PoetryLive to let Keith Westwater, Dr David Reiterand I be part of their regular weekly readings series.

How does this latest book fit into your body of work to date?  Is it a departure from or a continuation of themes from your previous collections?

There have been poems about men, masculinity and growing up male in each of my two previous collections, Boat People and All Blacks’ Kitchen Gardens. The difference this time is that, having initially put together a number of such poems as a chapbook (which I was going to called “Guy Thing” – I’m glad I changed the title!), I then decided to go on and write more poems around these themes, rather than (as in my previous collections) having a collection with several sections, each devoted to a theme or style of poem.

The other difference is that my two previous collections each had a section of science fiction and speculative poetry, whereas this one doesn’t – I guess only “As you know, Bob” and “In A World Without Pity, A Town Without Fear” would qualify as speculative poetry. I’ve just joined the Science Fiction Poetry Association, and even guest-edited an issue of their online magazine Eye To The Telescope this year, so I think this is a temporary aberration – perhaps not much science fiction is needed to explain men!

I gather that these poems were written over a five-year period. Did your approach to writing poems about men change as you went along?

As noted above, having initially discovered that I was writing a number of poems about men and planning to bring them together in a chapbook, I then decided to go for a collection. I don’t usually write with a theme in mind before I start – I usually write first, and look for themes later – so this took a bit of adjustment. Once I got underway on these poems, especially the ones about older men near the end of the book, though, I found that they came quite quickly and relatively easily.

I think I might try writing more themed collections in future – in fact, I have a couple of possible themes in mind for future poetry collections, plus another chapbook idea. I like chapbooks a lot – I am determined to put one together at some point.

You write award-winning fiction as well as poetry.  Do you work on your various projects concurrently or sequentially?

I find that I can’t work on a novel and short fiction at the same time, but I have at times been able to work on fiction and poetry at the same time – well, say, a morning on one and an afternoon on the other. I’m concentrating on short fiction at the moment – I went through a nervous time when there seemed to be a blockage between the short story ideas I had squirrelled away and my ability to turn them into stories, but I feel (I hope) as though the knack is beginning to return.

I have many favourites in this book: poems about love, like happened to meet and Honey Moon; Return to Nussbaum Reigel; and the very entertaining Men Briefly Explained:

 “My friend and I are talking at
the most attractive woman in the room.

We’re talking big: theories, hypotheses,
each wilder than the rest.

How huge our brains must be!”

What’s your own personal favourite?

That’s a tough question, because it’s like being asked to choose between one’s children. Then again, I only have one child, so [puts names of poems on folded slips of paper in hat, swirls slips of paper around, without looking, pulls out a slip] … my favourite poem is “Thinning”! It’s kind of gloomy and I stopped reading it at readings because it was depressing everyone too much, but I’m particularly pleased with that one. My favourite poem to read out loud is “Men Briefly Explained” itself – I’ve noticed that it’s mainly women who appreciate that one.

What’s next on the writing agenda?

Another collection of short stories, and again, I have a theme in mind as I write them. Right now, I have a couple of published but uncollected stories that fit with the theme, a couple more completed but unpublished stories, and a whole bunch of first drafts, bits of stories, and story ideas – which sometimes consist of no more than a title! So there is a lot to do yet, but I’m enjoying the process.

Links to more interviews on Tim’s virtual book tour here.

How To Buy A Copy Of Men Briefly Explained (a perfect Christmas gift for a poetry fan near you!)

Men Briefly Explained is published by Interactive Press (IP) of Brisbane. You can find out more about Men Briefly Explained, and buy it direct from the publisher, on IP’s mini-site for the book:

On Tim’s Men Briefly Explained page, there are more options for buying the book in person and online, plus latest reader reactions and reviews:


He settled
where the sea made a distant mirror

glimpsed from the sloping decks
of fast-subsiding houses.

Dockside cranes, the mournful tones
of cruise ships and coastal traders –

these were his background music,
his theme and variations.

From cliff-tops, from office blocks,
he would monitor departures,

courses set for distant harbours
rich with spice and contraband.

Retired, he had his garden,
books, the heavy ticking

of the farewell clock. He searched
tide tables, shipping movements,

looking for a sailing time,
a vessel heading home.

Tim Jones (pictured above) is a poet and author of both science fiction and literary fiction who was awarded the New Zealand Society of Authors Janet Frame Memorial Award for Literature in 2010. Among his recent books are short story collection Transported (Vintage, 2008) and poetry anthology Voyagers: Science Fiction Poetry from New Zealand (Interactive Press, 2009), co-edited with Mark Pirie. Voyagers won the “Best Collected Work” category in the 2010 Sir Julius Vogel Awards.

Tim’s third poetry collection, the excellent Men Briefly Explained, has just been published by Interactive Press, and he is in the final stages of a book launch tour. Aucklanders can catch the tour on Tuesday 1 November at Poetry Live, Thirsty Dog, 469 Karangahape Road, 8pm.  Tim will also be reading at the Poetry Society in Wellington on Monday 21 November at 7.30pm (The Thistle Inn, 3 Mulgrave St, Thorndon) together with Keith Westwater.  I very much enjoyed the Wellington library tour stop last week.

I chose ‘Harbours’ because it’s a lovely, musical poem, though tinged with “mournful tones”.  Also, it made me think of my father (who isn’t retired yet) as he was in the merchant navy in his youth and spends his spare time building decks.

For  more on the engaging and readable Men Briefly Explained, see  You can also link to the book’s Facebook page, where I was interested to learn that one of the poems was used as the text for a choral work composed by Brett Weymark, which premiered in Sydney recently.

You can click here or on the quill to the left for more Tuesday poems.



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November 2020

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