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I’m very excited to have a poem included in this fine anthology from Random House: Essential New Zealand Poems: Facing the Empty Page (eds Siobhan Harvey, James Norcliffe & Harry Ricketts). It’s in a lovely-to-hold cloth binding and has a great range of NZ poets – from the well-known and well-loved (such as Fleur Adcock, Sam Hunt, Hone Tuwhare, James K Baxter, Jenny Bornholdt, Bill Manhire, Greg O’Brien and Janet Frame) to more recent poets like Chris Tse and Joan Fleming.
Any anthology is subjective and no doubt three different editors would have come up with a different selection. (Personally, I would have included Richard von Sturmer, Tim Jones, Helen Lehndorf and a bunch of others, but then again there’s no-one in the collection I’d want to leave out). Overall though, this feels pretty representative of New Zealand poetry as a whole, and New Zealand poets in general. And it’s good to see the smaller presses represented, like Headworx and Seraph Press. Well worth reading, I reckon!
I’m also very pleased to find myself rubbing shoulders with Bill Manhire on the Best American Poetry blog in a series about New Zealand poetry curated by Greg O’Brien. I’m looking forward to future instalments and seeing what Greg has to say about New Zealand poetry & poets.
If you didn’t get a chance to attend this year’s Janet Frame Memorial Lecture at Te Papa, you can read it here http://www.authors.org.nz/images/JanetFrameLecture08.pdf There was also an extract in the Listener and it’s being discussed on Leafsalon here http://www.leafsalon.co.nz/archives/001172literature_for_the_literary.html#more
Greg O’Brien had some very interesting things to say about the difference between a writer (someone who writes) and an author (someone whose work is published) and cited Janet Frame as someone who retired at 65 from being an author (ie from being published) but continued throughout her life to be a writer. I like this distinction. I’ve always thought of writing as a verb: something I do, rather than an identity: “being a writer” (a noun, something a person is). It is the process or activity of writing that’s important. You only stop being a writer if you stop writing.
Greg also talked about the marketplace – he prefers to see literature as a laboratory. I particularly liked the following:
“Literature is not a track event. Everyone is not running in the same direction—nor should they be. If literature is a race then it is one where, when the starting gun is fired, the participants run off each in their own direction. It is only arts funders and prize-givers who line writers up on some invented racetrack, facing the same ribbon.”
This reminds me of the philosophers’ football match in a Monty Python sketch, where, as soon as the whistle blows, the philosophers wander off away from the ball, to contemplate it all.
A couple of days ago, at my poetry group, we were lamenting the limited range of poetry publishers in New Zealand relative to the seemingly vast numbers of poets seeking publication and the fact that some of our few publishers are booked up several years in advance or buried under huge piles of unread manuscripts (with frustratingly long response rates as a result). More small presses would be lovely, but poetry is hardly going to pay the mortgage. In the meantime, that track event continues, each of us meandering off in our own little directions, atomising our verbal structures (I was very chuffed to get a passing mention in Greg’s lecture). Here’s to the laboratory!